The Last Anemos Sunrise


‘These may be the last days of the taverna.’ It was a text from Minas on 10 September.

What?

This was the taverna where I lived in north Karpathos, helping him out for a couple of years. Anemos Sunrise: anemos meaning wind; the sunrise from behind the church of Ayios Minas. I’d been there early in the summer, delivering copies of Taverna by the Sea, and had hoped to visit again in September. When Minas explained, it came as a shock.

Since the area is protected, Minas had created the taverna from an existing agricultural building, re-making everything inside literally from floor to ceiling, filling it with the necessary equipment and working to ensure it met every restaurant regulation, some of them hard to believe. More importantly, he had also created countless memorable meals, sung countless songs, drunk countless beers and painted countless pictures, making Anemos magic.

But the owner of the property wanted to end the lease.

Minas said a spitaki was free for me to stay in since his summer helpers had left. Leaving Lisa happily at home with two of her favourite people – it was still hot for her to be going on adventures – I left a few days later. Luckily, there was a same-day ferry connection via Halki, where I swam, chatted with people in shops, had a sunset beer near the thick old tamarisk tree where the fishermen sit. I had dinner, and finally lay down and closed my eyes for an hour in a hidden spot under the stars. 

The big ferry loomed into view shortly before 1 a.m. and was due to arrive in Diafani in the north of Karpathos just an hour and a half later. I’d told Minas I was happy to spend the night on the beach there since he was running the taverna on his own and needed his sleep. He said it would be windy and insisted on coming to pick me up. He set two alarms… but the phone wasn’t charged. I reverted to plan A, put on an extra layer of clothes, borrowed a cushion from a nearby cafe and managed a few hours’ sleep before voices woke me. I saw a red glow on the horizon before the sun rose from the flat, rippling sea.

In the bright early morning, I hopped on the bus up to Olympos with a small contingent heading to school. The light on the pine forest and limestone crags as we ascended restored me, as did the sight of Olympos, and of Sophia in her café at the entrance to the village making pites in her kitchen, slender and neat in her dark kavai dress and headscarf. She made me a perfect coffee with a glass of cool water.

Her husband Mike appeared, and we chatted about a mutual teacher friend who had lived in their upstairs rooms. Mike said there were now just a few students at the secondary school, and only one child in junior school, so it’s unlikely they will remain open much longer. He showed me a picture on the wall from the big class of 1953, when Olympos had a thousand residents; now there are no more than seventy. But I was pleased to see Sophia and Mike healthy and smiling. As Minas arrived to pick me up. I tried to pay for my coffee and a pie from Sophia, but she refused. ‘Next time!’

Minas placed my backpack and box of books in the cleanest part of the car and we drove away from Olympos. His hotel there, Anemos, has now expanded to three rooms, plus staff accommodation – no need for that commute I used to do. But it was good to drive the route that was so familiar: each bend in the road, each view of mountain slopes and the sea far below, the smell of the pine trees at the top of the track, the spring water seeping across the dusty track, the bumps and twists…

And finally down to the valley at Ayios Minas, where a young dog called Voula – sleek black coat, floppy ears and bright eyes – was very excited to see us. I’d met her in June. Minas’ uncle Nick had saved her from the street in Rhodes when she was a pup. She’s the only thing keeping the wandering goats away from the olive trees, Minas said, especially in September, the driest time of year; the goats had torn the bark off the fig trees beside the taverna, destroying them. The olive trees had been ravaged, lower branches bare.

He left again to drive to Spoa to fix a couple of refrigerators, his other profession. I walked through the parched field to the beach – still beautiful despite taverna signs and an island of sunbeds and umbrellas. The sea was exquisitely clear and blue. There's still a bit of me that belongs here. 

I swam, then unpacked in the spitaki and slept for a while on a comfortable soufa bed. 

When I returned to the taverna after another swim, Minas made me lunch of local sausages with fried potatoes and tzatziki. An Austrian couple had walked down from the road and were eating a grilled fish and salad. Another couple came up from the beach, ordered a carafe of wine and started a game of backgammon. It was very good to be back. I walked Voula and she went wild sniffing out the goats in the valley, leaping and barking at them as I strained to keep hold of her lead and not be pulled over. 

In the evening, after everyone left, we ate dinner and drank wine and talked about what was happening to the lease, and what it meant for Minas. He seemed sanguine, full of new ideas. Running the taverna was almost a labour of love, and he could make more money doing other things. But it wasn’t about that. He talked to me about some of the special experiences of the summer: mostly about music, friends visiting, connections with people.

The taverna was about Minas. If he had to leave, the Anemos magic would go with him.

*

In the morning when I woke up, the only sound was a sighing wind in the chimney; the wind was unusually loud for September, building to a crescendo as it blew through the trees, then falling again.

This little house – different from the one I’d stayed in before – had a platform bed with carved wooden balustrade, paper tablecloths serving as curtains to hide the olive-harvesting equipment underneath; brightly coloured flower patterns on the laminated cupboards; icons and a souvenir mug from Symi; and – Minas’s addition – a huge, heavy battery for solar power.



He had driven to Pigadia for supplies and I was alone in the valley except for Voula, her big eyes watching me, tail wagging faster and faster as I approached. She picked up her toy and started pulling out the stuffing with determination.

I’d forgotten how hot it gets in the taverna kitchen. I quickly made breakfast with some of Vasilis’ goats’ cheese, then when Minas returned I walked to one of my favourite nearby beaches, a wild place, peaceful, blissful. Voula waited impatiently tied in the shade of a tree while I swam with my mask, seeing large lionfish. On the way back, she pulled me up the hill, finding goats.

Down in the valley, the taverna looked more like a home with its water tanks on the roof, a washing machine out the back and stacks of bamboo from the dismantled teepees, another old Lada in the field. In fact, it was a home when I lived there, and it still was a home. For how much longer?

When I got back, fish was grilling, there were a couple of tables of Czech guests, and a German couple had bought my book, and Minas was drawing his picture of the bay in it - his special signature. I made a couple of coffees and did a little washing up – unnecessarily, but it felt odd doing nothing – then went for another swim. Minas made me a fish cake for lunch, filled with cod and whole shrimp, and seasoned with fresh parsley and roasted red pepper, served with crusty bread.

By the afternoon, several tables of good-humoured Austrians were in the taverna, some already reading and enjoying the book, buying copies for friends – what a treat for me to hear that in the wonderful place where it all happened, and still be friends with Minas.









*

The next evening, I got a ride up to Olympos with Irene from the village. I’d realised at the last minute that I would freeze wearing shorts, and thankfully Minas had a clean pair of jeans and I still fit into them seven years later.

It had been a beautiful day. An Australian couple I’d met in Tilos last year had decided to visit the taverna after reading my book and were surprised to find me there. We talked, Minas showed a video of a song he’d written and recorded at the taverna, then he changed into his rock star attire and sang live for them. 

His friend Pavlos also visited, and it was great to see him again. In the afternoon I'd taken Voula for a walk up the dry riverbed among the pine trees, the energetic dog pulling me back into memories and emotions from so many similar walks. I tried taking a selfie with her before I left.




I was staying in the upstairs room at Anemos, and arrived in time for sunset. I was giving an informal talk to an Italian walking group about my books and life on Tilos and Karpathos. The guide, Paola, had invited me to dinner with them at Drosia, the taverna run by Evgenia and Sophia, Minas’ cousin and aunt. The group had walked 12 kilometres and were hungry and tired; wrapped up in trousers and jackets and scarves, they shivered to see me in a sleeveless top. ‘We are Italian, not British, we feel the cold…’

Preparing to speak while they tucked into their salads and starters, I quipped, ‘I am British, not Italian, I need a glass of wine…’


Later, when the group departed, I made my way back to the square, ducking into Parthenon for a quiet drink, to relax on my own in the corner while the local men watched football on TV. A message from Ian at home reassured me that Lisa was happy, walking with him and chasing mice and eating plenty. The football match over, everyone got up and left, and I did the same, repairing to my upstairs room at Anemos, where I found the booklet I made to welcome guests years ago.


I woke to clouds, but sunshine was coming. After a short walk, passing Kalliopi’s traditional bakery with its wood-fired outdoor oven and waving at her working in her kitchen, I landed at Archontoula’s for coffee, and told her I’d written about her.

‘What did you write, that I’m mad?’ Archontoula in her Olympos dress ushered me to the balcony, indicated the flight of steps off the alleyway below she’d fallen down that summer. Taken to hospital in Rhodes, she’d had to spend months recuperating at her sister’s house there and I assumed the café must have closed – but no, of course not, her husband had kept it open. After sitting outside with her for a while, I got up to leave and tried to pay but she refused. I reminded her she’d refused payment for ouzos in June, and if she never took any money, how would she live? She hid a smile, then allowed me to leave money on the counter for a few of the plaited strings she makes to pass the time.

I walked over to see Minas’ mum, who was watering her flowers. Minas had made a pergola for the bougainvillaea, which was thriving more than ever. She’d sold a few of my books and wanted to pay me, but I said I’d prefer something she’d made herself. It was also important to me to buy a few crafts from the village, to show appreciation and support for the people who did and do the same for me. I left with a few bags she’d put together with bright, cleverly matched fabrics, and I realised how much creativity Minas inherited from his mother.

I’d intended to spend my last day in the village and walk down to Diafani early the next morning for the boat. But Minas was coming up to the hotel to repair a bed and light fixture broken by guests (‘I hope they had a good time…’) and could drive me back down to the beach. The villagers would be busy all day anyway. He'd finish the repair work and wait for me at the car park. 

I returned to the room for my bag, then saw my friends Georgia and Yianni at Zephyros café. Georgia, Evgenia’s sister, was now officially engaged to Yianni, a local artist, poet and film maker, and it gave me a thrill to see them together in her café. I admitted I’d be going back down to Ayios Minas, then leaving the next day. 

‘Do you go to the island?’ asked Yiannis. ‘Or does the island come to you?’

Georgia said she’d managed to have a few swims that summer. She looked happy, and the café attractive with new tablecloths and Yiannis’ paintings.

From the square, I made my way down the alley already brimming with visitors and received a warm welcome as always from my other painter friend Yianni, with his wife Rigopoula. I carefully dedicated one of my books to give to them, knowing that as a former head teacher he would gently correct my Greek if I got something wrong. I bought a colourful cotton blanket from them, and Yiannis gave me a wooden icon of Saint Gerasimos of Jordan he’d painted, telling me he’d chosen it for me as an animal lover because the saint removed a thorn from a lion’s paw. He had once given me a painting of Odysseus and reminded me that when the hero returned home after so many years, the only one to recognise him was his dog.

Minas was waiting for me at the car, but I needed another stop to see Maria whose little house at Ayios Minas I’d used years ago. I kissed her and she slipped a piece of homemade soap in my bag. I bought a little hand-embroidered bag and she gave me a mati to deflect the evil eye.

Waving goodbye, I made one last dash into Sophia and Mike’s café to buy some dried makarounes, the local handmade pasta, to take home. Thinking to use up change, I asked for a slice of delicious-looking walnut cake – but Sophia refused to take any money. Laughing, I found the clean space in the back of Minas’ car – on top of a sack of charcoal – for my bag, now packed full of good things to remind me of Olympos. To remind me not only of the beautiful place, but of the hearts of the people; to be more Olympitissa.

It was an unexpected bonus to return to Ayios Minas: the hills so green and untouched and dramatic, the aroma of pine trees, the quiet of the valley. Voula looked with hopeful eyes. The sea was bright blue, white ripples surging across the bay. Minas was soon cooking fish and calamari, people were relaxing with wine, good music was playing, the olive trees waving in the wind. It was hard to imagine it might not always be like this.

I swam around the headland, lay on the smooth flat pebbles for a while, and when I slid into the sea again with my mask I saw a dozen long, thin cornetfish. A pale blue one looked up at me, its body straight, eye wide and careful, then reversed slowly, its tail like a needle. Continuing around the rocks I saw mayiatiko with a jaunty slash across the eye, and hundreds of little fish like electric blue dashes.

After the sun went down behind the hill leaving the beach in shadow, I had a last swim and spotted an octopus peering out of a pebbly nest, and a pale grouper, then three large lionfish lingering among the rocks, their colouring varied from reddish-brown to black, their tails so delicate and dotted with decoration; I dived down towards one to see coral-pink tips of its mane-like ‘feathers’ rippling like silk in a breeze.

A walk up the hill was thwarted by gusts that threatened to knock me over, but as dusk approached the last light was beautiful on the friable, khaki-coloured rock flecked with dark green mastic bush. The pale blue sky was tinged a peachy pink. A jet-black dog appeared in the gap in the field wall, looking, her ears blowing in the wind.

Minas cooked us dinner and we sat drinking wine and talking. We set our alarms for early the next morning.

And soon enough the light was touching the tops of the hills, the wind shaking the dry olive trees, the sun gradually appearing behind the chapel on the cliffs. Just another Anemos Sunrise. With my backpack and a box of goats’ cheese, soon we’d be bumping up the dusty track, disturbing goats from where they were sitting, pine and mastic on either side and the breathtaking view to the clear blue sea.

Three weeks have now passed, and it’s clear that despite his best efforts, there’s no chance of extending the lease. It’s really over. It makes me sad to write that Taverna Anemos Sunrise at Ayios Minas will almost certainly close this year. But the taverna is Minas; and he’s got a few songs still to write.

And more than ever, I'm glad I told the story of our experiences those years I lived there. 

(Minas standing on the step...)







To Partheni

 

On my third day on Leros in late February, I was feeling drawn to the far north of the island. Its main settlement was Partheni: ‘Virgin’, named probably for an ancient cult of Artemis, or an older goddess. The whole area was one of the emptiest spaces on the Leros map, one of the most untouched parts of Leros, cut off from the bay of Alinda by the limestone peak of Kleidi.

It was a warm day and I’d swum in the morning and worked for a while on the shady terrace, my feet in the sun, while Lisa lounged on her bed. The electricians were drilling. One shouted a question and the other responded, ‘Logika!’, meaning something like ‘probably, should be’ – it seemed a vague sort of answer to a question about electrics.



While the road to the airstrip led all the way north, I decided to take a more winding route over a green hill topped by the church of Ayios Kyrikos. We passed some new development that seemed out of keeping with the local styles, but also donkeys and horses with coloured tassels on their halters. Rounding the hillside, I was stopped in my tracks by the view below: of course it hadn’t been marked on the map, but there was a huge army base. I knew part of Partheni was a military zone. I descended on the track, checking with the armed young guys at the gate that I was on the right path.

The valley ended at a raised wall, the dam of a failed reservoir project. The new, empty road curved around and beyond it was the airstrip, ending at the sea beside a dry dock for yachts, and more military buildings. The sea beyond – Partheni bay, protected by Archangelos islet – was completely smooth and calm, like a lake, with fish farms and a scattering of fishing boats. The whole place felt strangely quiet, which added to the intrigue.


In fact, strange is exactly how it should feel. Leros has a fascinating modern history – an extraordinary century that belies its current calm and beauty. I knew a little, but over the coming weeks that I would end up spending on Leros, I realised just how steeped the whole island is in its remains. A café owner would say to me, ‘We are known for so many bad things… When will we be known for good things?!’

A little history is in order, then. In July 1923, at the signing of the Treaty of Lausanne, Turkey gave up its claims on the Dodecanese islands, populated by Greeks for millennia; Italy had ‘liberated’ the islands from Turkey in 1912, and in 1922 Mario Lago was appointed Governor of what were now designated the ‘Italian islands of the Aegean’. The Italians decided the port at Rhodes was too small for its Royal Navy, and in 1923 started to build up a base around the sheltered, deep bay at Lakki on Leros. Since the island garrison comprised many thousands of men, over the 1920s and 1930s they built a new model town with straight, wide streets and Rationalist art deco architecture, much of it still standing, called Porto Lago.

‘Imagine,’ Takis, a business owner in what is now called Lakki again, told me later. ‘We were five thousand people then, and there were thirty thousand military personnel on the island at one time. But this is not written in the Greek history books because then we were part of Italy.’

There’s much to tell about this phase, but crucially, little Leros had a bay suitable for re-fuelling submarines, a strategic base that would allow aircraft to reach the Middle East, and a vast number of Italian military personnel. So in the Second World War, when all the Dodecanese were battlegrounds at one point or another, Leros was a critical target, and there are military remains in every part of the island.

Someone told me: ‘The Battle of Crete – not to diminish it – lasted one week. The Battle of Leros lasted fifty-two days. Constant bombardment.’

I followed the road around to the bay of Blefouti, unprepared for its sheer loveliness: a wide sweep of pale blue sea fringed by beach, mostly backed by lush fields sweeping up to the mountain. And I seemed to have the whole place to myself, though alas, only a couple of hours before dusk. I spotted what looked like a crumbling Italian observation tower on the top of the far headland, and went to investigate. I hadn’t come to Leros to look for war remains, yet I couldn’t help being fascinated by the abandoned buildings.




The empty road gradually gave way to dirt track and on the slope was a large, somewhat grand building with a portico of tall arches and a large Mediterranean pine outside. This was the remains of battery Pl.899, shown on a 1940s Italian map as antinavy e antiaerei – now clearly used by a farmer to shelter his goats. We said hello as he carried a bale of hay up the hill, his dog at his heels, the sheep and goats clamouring down the hillsides to follow him.

For now, I had to head back. We took a shortcut to avoid some barking dogs, and I stopped to chat with a man at a closed taverna, then we walked down the wide, empty, tree-lined road, pausing at an old double chapel with beautiful icons between a cement works and building materials suppliers. A car pulled up so close I thought it might hit us, then a man with a beaming smile wound down his window and said, ‘I’m listening! First impressions of Leros!’ It took me a moment to realise he was one of the guys from the other night at the grill house.

Further down the road, I passed a young guy on a motorbike leading two ponies on ropes up the road. I stopped to buy fresh eggs and local beer from Stamatia, and told her I’d walked to Partheni. She looked at me as if I was mad, then related a long story about her boyfriend’s animals, the only part of which I really understood was about slitting their throats… I was loving Leros, and staggered back to the room to read more about it.



A week or so later, I went back to Partheni, for two reasons. The first was to pick up my mum, who was arriving on the 7 a.m. flight from Athens. I’d just arrived at the airport and got out of the car I'd rented when I heard the roar of the little plane coming in overhead. It pulled to a halt just before Partheni bay, then trundled back to the terminus. The passengers were out within minutes, and the airport would soon be closed again for a few days.

Later, after breakfast at the bakery in Kamara, I took Mum to see lovely Blefouti. The hills behind the bay were largely unspoiled; a few houses here and there, an organic vineyard hidden in a fold of hills with grazing cows. In a little cove, I now recognised a rusted old bit of metal as some kind of artillery. 

But what I really wanted to see this time related to a later piece of modern history. We left the car at the start of a headland and walked above the fishing harbour, and I asked a farmer feeding goats with huge, twisted horns if we were heading the right way for Ayia Kioura.

After the Second World War, Leros was liberated and with the rest of the Dodecanese became officially part of Greece, though the country was immediately divided by Civil War, those who had resisted the Germans now seen as the ‘Communist’ enemy by the right-wing establishment. Then in 1967 there was a coup by the army, starting the Regime of the Colonels, or the Junta dictatorship. Many left-wing intellectuals and artists were sent into exile on little islands. Between 1967 and 1974, political prisoners were detained at the old Italian barracks at Partheni.

Among the ‘kratoumeni’ on Leros was Manolis Glezos, politician, author, hero, best known for taking down the Nazi swastika from the Acropolis in 1941. The eighteenth-century chapel of Ayia Kioura Matrona, built on the site of an older chapel and situated a kilometre away from the camp, had fallen into ruin and Glezos organized a few artists among the prisoners to restore it and paint new frescoes.

Work began in 1969 with the support of the islanders. The artists used fellow prisoners as models. The soft, flowing, haunting figures exude a sense of peace, the large eyes full of emotions: true sorrow and bright hope, mourning perhaps not only Christ, but Greece.

The works are fifty years old, and some plaster has fallen, revealing rusting iron bars in the ceiling; many paintings had rough patches of gauze stuck to them. I wondered if the prisoners would not have had access to the proper materials. Then as I looked for a light switch, I noticed a sign by the door in Greek, prohibiting something odd: asvestoma. The use of lime.

I found out later: after the regime changed, certain conservative islanders decided to lime over the unorthodox frescoes. But they’re now protected by the state as an important monument.

Political activist and poet Yiannis Ritsos was also imprisoned on Leros at that time. One of his most famous works is 18 Little Songs of the Bitter Homeland, later set to music by Theodorakis; sixteen of them, he said, ‘were written in one day – on September 16, 1968 – in Partheni of Leros’.