Last of the Summer Wine

 


There he was – the man I’d been looking for. Not in the sense of ‘all my life’, just since my grapes started ripening on the vine (and that isn’t a euphemism). I wanted to see if I could learn how to make very basic wine, and I’d heard Yiannis was a good man to talk to about it.

An unassuming man of medium stature, he was standing by his rickety old scooter. We’d last had a conversation early in the summer when he’d been encouraging me to pick mulberries from a tree on the road out of the village. A retired seaman who lives with his wife in Megalo Horio, he’s often out and about tending his beehives or fishing off the beach.

I’d gone to his house the previous day but although the scooter was there and the gate open, and although it wasn’t yet siesta time and I’d shouted hello in my usual hesitant way, there was no sign of life and I couldn’t get up the nerve to stride in. But now I’d spotted him on the road as I was driving to the post office, and I pulled in swiftly to the school car park.

‘I hear you make wine,’ I said, ‘and I want to learn.’

He smiled cautiously.

From late July to late August is grape and fig season, and I'd been told the grapes needed another couple of weeks on the vine, but one day, sick of having hornets buzzing around, I cut down most of them. 

I’d done the same a couple of weeks before with the smaller, seedless grapes from a different vine and was drying them into raisins in flat dishes using 15 denier ladies’ hosiery to keep the flies and ants off while allowing enough sun to get in. The bigger vine in the front of the house gives good shade and the grapes are delicious. My old pal Antonis had asked if they were for eating or for wine. I had no idea.


The fridge was already brimming with old wine bottles filled with grape juice, and old tahini jars filled with fig compote as well as caper leaves preserved from earlier in the year. Because I go easy with salt and sugar, I daren’t keep much out of the fridge, especially when the daytime temperatures in August were rising over forty Celsius and dropping at night to a mere thirty.

I’d been so excited about having my own vines and fig trees when I got this garden. And really, I am. Everything is getting healthier now after a few years of neglect and being attacked by goats. But it does demand quite a bit of time and attention over the summer. I’ve got more advanced this year with the produce, baking the fig compote and fresh raisins into cereal bars with oats and seeds. I’ve roasted lamb chops with grapes, figs, tomato and onion. I’ve made pizza with two kinds of local goat’s cheese, ripe figs and rocket from the garden. And I've regularly had icy fruit smoothies for breakfast.

So now I’d been stuffing masses of fat, juicy grapes into the fridge and hopefully thought I’d try again at winemaking. I’d really meant to go to Embona on Atavyros Mountain on Rhodes, talk to the experts and get the right equipment, but somehow it never happened, so here I was at the last minute asking Yianni.

He had already squeezed his grapes and started his wine, he said, having experienced the same problem with hornets. Some people leave the bits of skin in during the first days, but he removed them and used only juice. He mentioned a piestirio, a press; I’d been using my hands.

‘So you leave it for three days,’ he said, and although I didn’t understand what he said happened for those three days, from my Wiki research last year I know it’s when the stuff starts fermenting. I’d actually already tried a batch and the kitchen smelled like a bakery when I walked in. ‘You put it in an open container,’ he continued.

‘Covered with a cloth?’ I asked.

‘Yes, a cloth with holes, like the stuff they use for bonbonieras.’ Something gauzy, like the stuff they wrap baptism gifts in, to let the air in and out.

‘So what do you do after the three days?’ I asked, thinking I’d missed something.

‘Nothing,’ he said, leaving me puzzled. ‘After, you leave it for forty days. In the house. Then you try it. Ama yinei,’ he said, pausing – then he made a fist and brought it towards his mouth, the thumb sticking out like a spout heading for his lips, and tipped his head back.

When it's ready – if it works  you drink it.

I smiled, asked a few more questions, and thanked him. I could give it a try, I supposed, though I wasn’t entirely surprised when he added that a neighbour had lost his whole batch of wine for three years running. Maybe Yiannis was cannily keeping the real tricks to himself. I got back in the car and drove down to Livadia. As so often happens, a quick trip to the post office was about to take three hours. Picking up my post took a mere ten minutes – the rest was impromptu chatting, coffee, and a swim off the rocks.

Now the wild, soaring temperatures of summer, with biting flies and wind that feels like a hot hairdryer, are waning, and some evenings here at the north of the island can feel soothingly cool and damp. On Eristos beach, the first sign that the busy days of summer are over are the miraculous sea daffodils poking up out of the sand. And the tents are thinning out, with campers heading back to the cities. 

For a couple of months, Lisa has refused to leave home before late afternoon unless we're going in the car, but now we're beginning to walk again in the afternoon and it feels great. Yesterday we briefly had Skafi beach to ourselves, and when I went snorkelling I saw shoals of miniature versions of mullet and bream. I'd never thought much before about when fish had their babies but it's been fun watching the little ones grow. The damselfish start out bright blue when tiny, in July.



In my last blog post, I confessed I had no idea how posts would be delivered to your inbox in future after the demise of Feedburner. But the extremely helpful people at follow.it have solved the problem. You may have received this thanks to their tiny postal workers slipping it into your email inbox, but if you didn’t and you’d like to in future, you can sign up using the little box that should appear somewhere top left of the page. Apparently there are additional features, though I can’t imagine what they’re for. The helpful people even offered to give me inspiration about what I could write, or pictures I could use. Maybe they can just produce the whole blog post in future, leaving me more time to walk to a beach.

In fact, thinking about it, maybe they know how to make wine…



Ladies and gentlemen, may I have your attention please…?

 


I have a BIG apology to make.

A little while ago, I received a notification that my blog was no longer going to be delivered to subscribers via something called FeedBurner from July. As with most technological things, I tried to ignore it and hoped it would go away, until I realised that July was almost upon us and I had to do something about this. There was a list of instructions about how to download the subscriber details. I needed to click first on ‘Analyze’.

But where was this word to click on? I started to search the back room of Blogger, browsing the strange terminology. Fallback subdomain. Enable custom robots (that sounds fun!).

And then purely by chance I clicked on Comments, and found more than a hundred unread comments on my blog posts. Some of them were unwanted advertising, spam, the very reason I’d activated something a few years ago that allowed me to moderate comments before they were posted. But I hadn’t also activated something to notify me of comments that needed moderating. I didn’t know they were there. So many were lovely comments from you, the readers. Some of them, especially around the time I bought my house, almost had me in tears.






Please forgive me – I didn’t mean to ignore you! Some of you had written lovely things about my books, or about visiting Tilos and seeing me, or had asked for advice. And I had no idea.

To be honest, I’d stopped posting regularly because everyone had gone quiet and I thought you weren’t so interested in the blog any more. A few of you had commented that it was a shame I didn’t blog so often these days…

I still don’t know how I will deliver this blog in the future as I still haven’t figured out how to download the subscriber details. Perhaps if you would like to continue to receive it as an email, you can send me your email address in a message. Otherwise, please continue to check in from time to time, and I’ll try to keep posting.

I have, of course, been busy, as always – and only partly with writing and editing work. With the abrupt change to a hot, dry season, suddenly the lovely wildflowers and long grass that had filled the garden all winter and spring turned to straw and needed cutting down so as not to be a fire risk. The head gardener (my mum) then arrived from England, and as if alerted of her presence, the travelling plant-sellers started arriving by ferry with trucks full of lovely plants to sell to us. 

Moreover, since the new era of freedom began, it’s been wonderful to travel again, and to have family and friends visiting. Our first trip was to Rhodes to start the process to convert my residence permit into the infamous Brexit-prompted biometric pass. So what if the SAOS ship Stavros takes five hours, going via Halki and Symi? It was a journey, on a ferry! And can you imagine a more beautiful journey, moreover taking in a coast of Symi that is so rarely seen, with its magnificent cliffs? And then once we were there, the shops and restaurants were open again...













It was a year and a half ago in winter that I was last in Astypalea, failing to meet the cheese man. So last week we arranged for people to look after the garden and Fishbags the cat, and took advantage of a new route on the Dodecanese Seaways catamaran and were on the lovely westernmost island of the Dodecanese in three and a half hours. Two days later, our return via the same route looked compromised by a predicted 6 Beaufort, so we took that as a perfect excuse to stay longer. Everyone on the island seems to be a dog-lover and the animals are mostly kept away from the village, so Lisa had some wonderful off-lead freedom too.








And so it was that on Sunday night and into the early hours of Monday morning, we were trying to catch a little sleep on the hard benches of the Blue Star Chios back to Tilos, with incessant announcements blaring through the loudspeakers in some form of torture, perhaps designed to make more people pay for cabins. All we’d hear was:

Ladies and gentlemen, may I have your attention please…

Followed by a minute indecipherable gobbledegook. It’s wonderful to travel, but I think we’ll stay at home for a few days.









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A Novel About Mental Illness, Family and Love: The Book of Katerina


During his childhood, Auguste Corteau, born Petros Hatzopoulos, remembers his mother descending further and further into psychotic despair. She tried setting fire to the house with him in it, and tried to kill herself with alcohol and pills, yet the hardest thing ‘was the stoniness of her depression, her utter unreachability, the feeling that, no matter how madly I loved her, I couldn’t make her smile, much less get her off the bed.’

When he has suffered his own bouts of clinical depression, he has had to remind himself of the love of those around him.

His novel The Book of Katerina, a fictionalised account of his mother’s life-long struggle with bipolar disorder, was first published in Greek in 2013 and became a huge success, selling 50,000 copies. It’s now being launched in English (translated by Claire Papamichail) by Wales-based Parthian Books as both a paperback and an audiobook narrated by Anna Savva, otherwise known as Lugaretzia of The Durrells.

It was a great pleasure for me to be the editor of the English translation, and so I thought I'd write something about it here to coincide with the British mental health awareness week.

Acclaimed British author Glen James Brown has called The Book of Katerina: ‘a gleefully sardonic novel about illness and family, and how we can never quite cure ourselves of either.’

Although it’s an attempt to understand Katerina’s torments, it’s an unstoppably energetic and entertaining read as with earthy, no-holds-barred humour she observes the saga of her extended family’s ups and downs in the city of Thessaloniki over three generations.

There are fascinating glimpses of the backdrop. At the dawn of the twentieth century in Turkey, Katerina’s poor Jewish grandmother ‘with hair as red as the beard of Judas’ meets a Greek merchant who, a good Christian, agrees to marry the ‘Christ-killer’ but asks her to forswear her true name and lineage ‘or rather demands; men rarely asked for things in those days’.

Thanks to their hard work, at the start of the 1920s they are practically well-off, the children at a good school with piano lessons and foreign languages. ‘And then the Asia Minor Catastrophe happens and they suddenly find themselves in Upper Town, Thessaloniki, without two pennies to rub together.’

After their family dreams are blighted in an instant, the next generation pursue material wealth above everything else – including genuine love. While there are already signs of the hereditary illness that will haunt the family, the narrator also holds the lack of love between parents and siblings accountable for many of their problems.

‘When four siblings out of four end up on medication by the age of forty,’ says Katerina, ‘something very bad must have happened during their childhood.’

She then seems to take things to the other extreme, smothering her own son with love as he is growing up, to the detriment of her marriage.

It was years after his mother’s death that Auguste decided he had to write the book as a kind of love letter to his mother, recreating her as a fictional character. It opens with the scene when he found her dead, stark naked on her bed, having committed suicide. He was in his early twenties when his mother took her life following years of struggling with mental health issues.

She says, ‘I’m giving Petros the biggest gift within my powers: I shall release him from the lifelong duty of nursing a mother who’s constantly deteriorating, spare him the years of dementia that are sure to come… I know this will destroy him, that he’ll need years and years to recover from the blow…’ And then she takes 400 pills.

No wonder that when the book was adapted for the stage, the play left the audience in tears.

When he decided to write the book, he says:

‘I had to recall the exact timbre of her humour, the fieriness of her fury, her tenderness and her despair. It was indeed cathartic, but also painful – which is why I wrote the book in white heat, over a couple of frantic weeks.

‘Back when I wrote the book, it seemed to me way too bleak to be enjoyable. But it turns out I was wrong.’

The Book of Katerina – Parthian Books


The author will be presenting the book at the Mani Literary Festival in October.

Greek Author Auguste Corteau Breaks into the World Market (greekreporter.com)